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Scroop Patterns Minette Bust Gusset Tutorial

Tutorial: how to add bust gussets to the Minette Stays

The curved front seam and adjustable lacing of the Minette Stays mean they already fit an wide range of cup sizes without major changes to the pattern.  We tested them on A to H cups!  However, if you want to refine the fit of the stays even more, and change the shape so they have really defined bust cups you can add bust gussets.

Minette Stays by Scroop Patterns

Here’s how to do it!

We’ll use an imaginary lady as the measurement model for this tutorial.  Let’s call her Guenevera.

How to add bust gussets to the Minette Stays.

You’ll need four measurements:

  • Full bust
  • Under bust
  • Bust point to bust point
  • Bust point (nipple) to underbust length

These measurements should be taken while wearing a supportive, but not padded, bra.

Find your full bust and underbust measurements:

Take your full bust measure by wrapping a tape around your back and the fullest part of your bust.  The tape should be parallel to the floor.  Take a measure that is just tight enough to sit firmly around you without denting in to your bust.

Guenevera’s full bust is 43”/109cm

Take your underbust measurement by wrapping your measuring tape around your ribcage just under your bust, keeping it parallel with the floor.

Guenevera’s under bust is 32”/82cm

Now, let’s compare those two measures to the Minette Stays measurements chart:

Scroop Minette Stays Measurements Chart

You want the underbust of the Minette Stays to fit snuggly, so choose your size based on your underbust measurement.

Guenevera will be making a Size 38, because she has a 32”/81cm underbust.

Now, subtract the full bust measurement of the Minette Stays size that matches your underbust from your full bust measurement.

For Guenevera:

43 – 38 = 5”  OR
109 – 96.5 = 12.5cm

This measurement tells you how much you need to add to the pattern, and thus how big your bust gussets will be.

Each bust gusset will be 1/4” of the total measure + seam allowances wide, because there are 4 bust gussets.

Guenevera’s gussets will each be 1.25”/3.12cm wide at the top.

Keep your number in mind as we move to the next steps.

Find the width between your bust points/apexes:

Your bust point/apex is the sharpest point of your bust bulge (yes, that’s the technical patternmaking term for it!): usually this means your nipple.  We need to mark it on the pattern, so you’re going to measure across your chest from point to point:

Guenevera measures 10”/25cm from bust point to bust point.

This measurement will tell you how far in from the center of the pattern to place your bust gussets.

Guenevera’s gussets will point towards a point 5”/12.5cm (half of her bp to bp measure) in from the center front.

Find the length from your bust point to your underbust:

Measure down from a bust apex to your underbust line, curving the tape measure over the fullness of your bust as you measure.

Guenevera measures 4”/10cm from bust point to underbust.

This length will be how long your bust gussets are + 3/8”/1cm for View B.

Guenevera is making View A, so her  bust gussets will be 1.25”/3.12cm wide and 4”/10cm long.

Marking the lines where you’ll be inserting bust gussets on your Minette Stays:

Work with Piece A/B in the pattern size that matches your underbust measure.

Starting a gusset length down from the top corner, draw a line out from the center front line at a right angle 1/2 the distance from bust point to bust point (5”//12.5cm for Guenevera) and draw a line

Starting 1/2 the bust point to bust point draw a line down from the neckline seam allowance line the length of your gusset (4”/10cm for Guenevera).

Mark the point where these lines intersect at a right angle (in purple below)

Scroop Patterns Minette Stays Gusset Tutorial

Measure out (horizontally) from the intersection point 1/2”/1.2cm on either side and make two marks.

Measure out from the top of the gusset length line 5/8”/1.5cm on either side and make two marks.

Connect these marks with two lines that angle in towards the intersection point slightly.  These lines (shown in blue below) will be your gusset insertion lines.

Scroop Patterns Minette Stays Gusset Tutorial

You’ll notice in the image above that the gusset line further away from the center front crosses a bone.  If it’s only a little bit you can simply shift the bones towards the side as shown below.  The original bone placement is in grey, and the new in black:

Scroop Patterns Minette Stays Gusset Tutorial

If the lines cross the bones quite a lot (shown here is an example with a 5” long gusset) you can move the bones, angle they downwards, and also shorten the gusset line that is further from the center front.

Scroop Patterns Minette Stays Gusset Tutorial

 

Your physical pattern will end up looking something line this:

Minette Bust Gusset Tutorial scrooppatterns

To transfer the marks to my cut fabric pattern I slash down the two vertical lines, fold the paper away, and mark the fabric.

Minette Bust Gusset Tutorial scrooppatterns

OK!  That’s the gusset lines marked.  Now we can…

Make a bust gusset pattern piece:

Make sure you have your gusset measurement ready. Guenevera’s bust gussets will be 1.25”/3.12cm wide and 4”/10cm long.

Fold a piece of paper at least as wide as 1/2 your bust gusset + 1”/2.5cm.

Mark a horizontal top line.  Measure down from that line a seam allowance (5/8”/1.5cm) and make a second horizontal line.   This is the top of your gusset.

Measure out on this line 1/2 your gusset width and make a mark (5/8”/1.5cm for Guenevera)

Measure down the fold your gusset length and make a mark (4”/10cm for Guenevera)

Minette Bust Gusset Tutorial scrooppatterns

Use a French curve to connect the two lines.

Add a 1/2” seam allowance.  I have also marked the 1/4” line below, as that is how big the gusset will look on the final garment:

Minette Bust Gusset Tutorial scrooppatterns

Cut out your gusset pattern piece:

Minette Bust Gusset Tutorial scrooppatterns

Now cut four of these in your outer fabric, and four in your lining fabric.

Wrong sides facing, sew each pair of outer and lining together with a 1/4” seam allowance to make four gussets.

Minette Bust Gusset Tutorial scrooppatterns

Inserting gussets into the Minette Stays

Assemble the front piece (A or B) of the Minette Stays.  Sew the center front bones and eyelets.  Do not sew the angled boning channels.  Mark the gusset insertion lines.

Minette Bust Gusset Tutorial scrooppatterns

Carefully cut the bust insertion lines through both layers of fabric:

 

Working with the outer layer only, fold and press in the seam allowances of the gusset lines 1/4” tapering to nothing at the point of the gusset.

Scroop Patterns Minette Bust Gusset Tutorial - 19

Pin a gusset behind an insertion line, matching the fold of the insertion slit to the stitching 1/4” from the outer edge of the gusset:

Scroop Patterns Minette Bust Gusset Tutorial

Sew the gusset in place with small whip stitches, working the stitches more tightly as you go around the point of the gusset.

Scroop Patterns Minette Bust Gusset Tutorial

If your fabric is prone to fraying you may need to reinforce the point with even tighter whipstitches, or with buttonhole stitches.

Insert the other gusset in the same way:

Scroop Patterns Minette Bust Gusset Tutorial

Turn the stays over, and press under the seam allowances of the lining insertion slits 1/4”, just as you did for the outer.

Lay the folded-under slit over the gusset so it just covers the stitching from doing the outer, and sew it in with whipstitches just as you did the outer.

Scroop Patterns Minette Bust Gusset Tutorial

Trim off any overhanging seam allowances when the gussets are fully sewn in:

Scroop Patterns Minette Bust Gusset Tutorial

Scroop Patterns Minette Bust Gusset Tutorial

And that’s your gussets inserted!  You can now proceed to follow the rest of the pattern instructions to complete the Minette Stays.

18th century but with dinosaurs thedreamstress.com

The T-Rex Amalia Jacket

You all loved Hayley’s T-Rex Amalia Jacket, so here are more photos of it. 💛

18th century but with dinosaurs thedreamstress.com

18th century but with dinosaurs thedreamstress.com

18th century but with dinosaurs thedreamstress.com

18th century but with dinosaurs thedreamstress.com

18th century but with dinosaurs thedreamstress.com

Hayley is an expert quilter and makes some clothes, but this was her first foray into historical costuming.  I asked if she wanted to come to HSER 2025, told her the theme was ’18th century, but with dinosaurs’ and within 20 minutes she was sending me a link to this fabric and asking if she could make an Amalia Jacket out of it.

In less than 3 months she sewed up a shift, Augusta Stays, and this jacket!

And then she went on to test all the Scroop 17th century patterns…

And she’s ahead of all the rest of us in making her wardrobe for HSER 2026.

18th century but with dinosaurs thedreamstress.com

I think we can safely say she’s been well and truly bitten by the historical costuming bug!

18th century but with dinosaurs thedreamstress.com

Pierre Mignard Lady in the Park, 1660s

A Rainbow of Ninon Inspiration

It’s Pride Month!

Well, at least in most of the world.  New Zealand celebrates pride in February, March, April, and starting June/July to cooincide with Matariki: the Māori New Year.

I firmly believe that it is everyone’s fundamental human right to be able to safely love, live with, and marry any consenting adult who feels the same way about them, and that it is everyone’s fundamental human right to be safely and respectfully acknowledged as the gender they identify with, legally and socially.

And I also think that clothes are clothes!  They don’t have gender.  Wear the clothes that make you happy, whatever they are!

To celebrate Pride, here’s a rainbow of Ninon Bodice inspiration.  ❤️🧡💛💚💙💜🩷

And a little easter egg… 😜

Red

Portrait of Josina Parduyn (1642-1718) 1668, Caspar Netscher

Portrait of Josina Parduyn (1642-1718) 1668, Caspar Netscher

Caspar Netscher, Portrait of a Woman; ca. 1665, Glasgow Museums, http://www.artuk.org/artworks/portrait-of-a-woman-85503

Caspar Netscher, Portrait of a Woman; 1671, Glasgow Museums, http://www.artuk.org/artworks/portrait-of-a-woman-85503

Adriaen Hanneman, Portrait of Amalia von Hesse-Kassel 1656

Adriaen Hanneman, Portrait of Amalia von Hesse-Kassel 1656

Princess Eleonore of Palatinate-Neuburg, the later Empress of Austria, 1670s

Princess Eleonore of Palatinate-Neuburg, the later Empress of Austria, 1670s

Willem van Honthorst, Albertina Agnes van Nassau, 1653

Willem van Honthorst, Albertina Agnes van Nassau, 1653

Caspar Netscher (attr); Portrait of an Unknown Lady with a Lamb and a Terracotta Group; National Trust, Ascott; http://www.artuk.org/artworks/portrait-of-an-unknown-lady-with-a-lamb-and-a-terracotta-group-216767

Caspar Netscher (attr); Portrait of an Unknown Lady with a Lamb and a Terracotta Group; ca. 1670, National Trust, Ascott; http://www.artuk.org/artworks/portrait-of-an-unknown-lady-with-a-lamb-and-a-terracotta-group-216767

Orange

Jacob Ferdinand Voet, Portrait of Pietro Banchieri dressed as a ‘belle’, 1671

Sir Peter Lely, c Margaret Brooke, Lady Denham, a. 1664, (Sheffield Museums)

Sir Peter Lely, Margaret Brooke, Lady Denham, a. 1664, (Sheffield Museums)

Cornelius Johnson (1593-1661), Portrait of an Unknown Lady; 1659, Tate; http://www.artuk.org/artworks/unknown-lady-199531

Cornelius Johnson (1593-1661), Portrait of an Unknown Lady; 1659, Tate; http://www.artuk.org/artworks/unknown-lady-199531

Sir Peter Lely, Elizabeth Wriothesley, Countess of Northumberland, 1662, (c) National Trust, Petworth House; Supplied by The Public Catalogue Foundation

Sir Peter Lely, Elizabeth Wriothesley, Countess of Northumberland, 1662, (c) National Trust, Petworth House; Supplied by The Public Catalogue Foundation

Antonio Triva, Portrait of Princess Henriette Adelaide of Savoy (1636-1676), wife of Ferdinand Maria, Elector of Bavaria (1636-1679), ca. 1660

Antonio Triva, Portrait of Princess Henriette Adelaide of Savoy (1636-1676), wife of Ferdinand Maria, Elector of Bavaria (1636-1679), ca. 1660

Samuel van Hoogstraten, Possible portrait of Anne Conway (detail)

Samuel van Hoogstraten, Possible portrait of Anne Conway (detail)

British School, 18th Century, Woman Resting Arm on a Pillow, c1650

British School, 18th Century, Woman Resting Arm on a Pillow, c1650

Yellow

Jan Mijtens (The Hague c. 1614-1670), Portrait of Henriette Catherina van Oranje-Nassau (1637-1708), small three-quarter-length, in a yellow dress at a fountain with a spaniel | Christie's

Jan Mijtens (The Hague c. 1614-1670), Portrait of Henriette Catherina van Oranje-Nassau (1637-1708), small three-quarter-length, in a yellow dress at a fountain with a spaniel | Christie’s

Circle of Gerrit van Honthorst, Portrait of a girl, traditionally identified as Mary, Princess Royal and Princess of Orange (1631–1660) ca. 1660

Circle of Gerrit van Honthorst, Portrait of a girl, traditionally identified as Mary, Princess Royal and Princess of Orange (1631–1660) ca. 1660

 

Portrait possibly of Madame de Hautefort (1616 - 1691), ca 1650

Portrait possibly of Madame de Hautefort (1616 – 1691), ca 1650

Portrait of Maria Antonia of Austria, ca. 1670

Portrait of Maria Antonia of Austria, ca. 1665

Sir Peter Lely, Lady Elizabeth Wilbraham ca 1670

Sir Peter Lely, Lady Elizabeth Wilbraham ca 1670

 

Green

Jacob Ferdinand Voet, Portrait of Maria Ortensia Biscia del Drago late 1670s

Jacob Ferdinand Voet, Portrait of Maria Ortensia Biscia del Drago late 1670s

John Michael Wright (1617 - 1694) A portrait of Lady Herries, ca. 1665

John Michael Wright (1617 – 1694) A portrait of Lady Herries, ca. 1665

1670 British (Scottish) School, Portrait of Margaret Erskine, National Trust for Scotland, House of Dun c1670

1670 British (Scottish) School, Portrait of Margaret Erskine, National Trust for Scotland, House of Dun c1670

 

Portrait of Elizabeth Charlotte of the Palatinate, Duchess of Orléans (1652-1722), Duchess of Orléans c1675

Portrait of Elizabeth Charlotte of the Palatinate, Duchess of Orléans (1652-1722), Duchess of Orléans c1675

 

Bartholomeus van der Helst, Portrait of Sophia Coymans, ca. 1660

Bartholomeus van der Helst, Portrait of Sophia Coymans, ca. 1660

Blue & Indigo

Abraham van den Tempel, Portrait of a Young Woman, 1666, Museumslandschaft Hessen Kassel,

Abraham van den Tempel, Portrait of a Young Woman, 1666, Museumslandschaft Hessen Kassel,

Sir Peter Lely, Portrait of Dudleia Cullum, née North, Lady Cullum, circa 1670. Courtesy of the collections of the St Edmundsbury Museums

Sir Peter Lely, Portrait of Dudleia Cullum, née North, Lady Cullum, circa 1670. Courtesy of the collections of the St Edmundsbury Museums

Abraham van den Tempel, Portrait of Jacquemijna Le Pla, circa 1666

Abraham van den Tempel, Portrait of Jacquemijna Le Pla, circa 1666

L. Schunemann - Portrait of a young Lady in blue dress, probably Hedvig Eleonora later Queen of Sweden 1666

L. Schunemann – Portrait of a young Lady in blue dress, probably Hedvig Eleonora later Queen of Sweden 1666

Attributed to Charles Beaubrun, Portrait of a Lady called Jeanne de Marign, 1660

Attributed to Charles Beaubrun, Portrait of a Lady called Jeanne de Marign, 1660

Jan Mijtens, Portrait of a Lady as Diana, ca 1660

Jan Mijtens, Portrait of a Lady as Diana, ca 1660

Sir Peter Lely, Portrait of a Lady in Blue holding a Flower, ca 1660

Sir Peter Lely, Portrait of a Lady in Blue holding a Flower, ca 1660

Isaack Luttichuy, Portrait of a woman, possibly Susanna Reael (d 1662), 1656

Isaack Luttichuy, Portrait of a woman, possibly Susanna Reael (d 1662), 1656

Caspar Netscher; Portrait of a Lady Playing a Viola da Gamba; National Trust, Hatchlands; http://www.artuk.org/artworks/portrait-of-a-lady-playing-a-viola-da-gamba-217293

Caspar Netscher; Portrait of a Lady Playing a Viola da Gamba; National Trust, Hatchlands; http://www.artuk.org/artworks/portrait-of-a-lady-playing-a-viola-da-gamba-217293

 

Violet & Pink

Portrait of Anne-Geneviève de Bourbon (1619-1679), wife of Henri II d'Orléans, Duke of Longueville (1595-1663), ca 1660

Portrait of Anne-Geneviève de Bourbon (1619-1679), wife of Henri II d’Orléans, Duke of Longueville (1595-1663), ca 1660

Sir Peter Lely; Katherine Ashe (1652-1729), Mrs William Windham I, ca 1668; National Trust, Felbrigg Hall; http://www.artuk.org/artworks/katherine-ashe-16521729-mrs-william-windham-i-171331

Sir Peter Lely; Katherine Ashe (1652-1729), Mrs William Windham I, ca 1670; National Trust, Felbrigg Hall; http://www.artuk.org/artworks/katherine-ashe-16521729-mrs-william-windham-i-171331

François Duchatel, A family portrait in an architectural setting, traditionally identified as members of the Janssens family, 1672

François Duchatel, A family portrait in an architectural setting, traditionally identified as members of the Janssens family (detail), 1672

Catherine Dormer, daughter of Montagu Bertie, 2nd Earl of Lindsey (d. 1659), 1659

Catherine Dormer, daughter of Montagu Bertie, 2nd Earl of Lindsey (d. 1659), 1659

Portret of Anna van Cammingha (1641-1712), ca 1670, - S01913 - Fries Museum Julius de Geest - Netherlands Institute for Art History

Portret of Anna van Cammingha (1641-1712), ca 1670, – S01913 – Fries Museum Julius de Geest – Netherlands Institute for Art History

J Stusermans, 1660 Catherine of Braganza, ca 1660

J Stusermans, 1660 Catherine of Braganza, ca 1660

Jacob Ferdinand Voet (attr), Portrait of Ortensia Mancini, Duchess of Mazzarin 1676-80

Jacob Ferdinand Voet (attr), Portrait of Ortensia Mancini, Duchess of Mazzarin 1676-80

Cornelis Janson van Ceulen (II), Portrait of Aletta Pater, 1662, Centraal Museum 18045

Cornelis Janson van Ceulen (II), Portrait of Aletta Pater, 1662, Centraal Museum 18045

Jan de Baen, Princess Henrietta-Anne 'Minette' (1644-1670), Duchess of Orleans; National Trust, Hatchlands; http://www.artuk.org/artworks/princess-henrietta-anne-minette-16441670-duchess-of-orleans-217380

Jan de Baen, Princess Henrietta-Anne ‘Minette’ (1644-1670), Duchess of Orleans, ca 1668, National Trust, Hatchlands; http://www.artuk.org/artworks/princess-henrietta-anne-minette-16441670-duchess-of-orleans-217380

Pierre Mignard Lady in the Park, 1660s

Pierre Mignard Lady in the Park, 1660s

Workshop of Henri and Charles Beaubrun, Portrait of Louise Boyer (1632-1697), wife of Anne de Noailles (a.1613-1678),1 660s

Workshop of Henri and Charles Beaubrun, Portrait of Louise Boyer (1632-1697), wife of Anne de Noailles (a.1613-1678), 1660s